For me, art is merely a profession, a hobby or a talent. It is an existential activity, which I purely practice as a religious ritual.
Practicing art engages me in an intimate relationship with vocabulary of painting, in a subtle dialog with that vocabulary, I explore them, searching for that hint that could be a clue to its heart, so I would change it from being a familiar one and create my own an artistic and visual structures, symobls and marks, away from the traditional approach.
Without forethoughts, when I start to practice art, I discover what I should do and so on. Thus, art constriction is not imposed on the artwork outwardly; it is not restricted on the elements of the artwork for the mere formation of the composition, rather it comes from inside these elements themselves, from their needs to exit their own way. A sort of dialectical interaction takes place between the movement of the whole composition that controls the movement of the constituents and the movement of the constituents that determines the movement of the whole composition at the same time (creating more diversity).
Originally, the art composition is an organic structure more than a mere geometric or architectural one; it is intergraded composition of different elements connected together with the organic unity.
The simplest line of a genuine artist is a vivid one, for its stems from a dire internal need for expression, doing his own function in a serving the movement in the art composition as a whole.
